Monday, February 28, 2011

After 80 young people thought and reflection of Sociology Writing

 【Abstract】 from the last century to the beginning of this century, contemporary Chinese literature and robust set off a new wave of mm collective appearance, showing scars and arrogance of youth to the basic point, young writing as a selling point, media packaging, commercial speculation as a fulcrum, the local to the network literature to highlight the impact of the literature, education, publishing, and economic and social life in major areas, causing the general concern of the community. But now, 80 after Writing Topic: pretending to be sad or genius writing, is a commercial act or intellectual writing, is still sometimes do the traditional heritage, and pregnant with trouble in the present literature and the rebirth of a possible.
critic Huang Development has said that the current ills of excessive expansion of literary instrumentalism, so-called era, prejudice, for the rectification of names of youth, which is brave, but not persistent generation; in the swagger of youth began shouting and sadness began to rebel and salvation. in the literary world is to continue to sink or situation? This is the Writing younger age groups and literary creation in the new literature and literature for what is the context of the times you ask the question.
one, double-edged sword, if not speculation, then perhaps a lot of work to pass for it, even if not passed down to see so many people (Liu Chang Chi: especially in such a fast-food consumption times (some say McDonaldization of society), to forget is inevitable. However, there is definitely a shelter business of speculation, the market for co-operation of the public taste, while the public demands The most exciting, the most exciting thing, so for the general public usually have a selling point rather than the classic. packaging, commercial speculation as a fulcrum, the network literature to highlight the explanation: that ten to fifteen, six of the stage, another explanation is that young man. Young's explanation is that from the fifteen, six to three-year-old stage. from the current situation, After the be a good student years had. A person can call two or three-year-old younger? seems contrary to the facts. reliance selling small business small farce really showed publishers lust, driven by interests, even the most hard common sense also stepped into the powder (Wang Binbin: a body is not fully developed, the mind has not yet fully mature children who drained a little innocence they have little, it's from a really young Jiang Fangzhou , but also for the early Apple complacent. This will be nauseating when the fun will be interesting when the selling point is the behavior of mental alienation at play, but the frightening thing is the publisher and the media in this farce of afraid after . ; writing saliva were meaningless war. aside a writer on the interpretation of their works. that could not escape the disgusting personal hi-loving care will only come to the surface farther from the truth, leaving the text to the debate has become a forest without trees, may only become emotional Narrative compartment boots.
meaning of farce, then rise for the moment of birth in the last century the writers of the 80s, they are emphasizing the importance of clear understanding. Poetry comes from the cycle. born in 1980 after the young people in temperament and lifestyle, and the former is fundamentally different generations. About 1999, some young poet after another to recognize this difference, and gradually Start with In 2003 the poet flourished a generation later, and so on. into the present century, an endless stream of new work, new people continue to emerge, especially in the to the more spectacular, both inside and outside of the literary world is also growing. Guo them to people to is now very hot fried so-called to take care of these three stages, of great significance in Chinese history period. people's psychological and emotional, to understand the world and way of handling their own destiny as the global economic market system mechanisms, social networking mode of transmission have undergone fundamental changes (Chen Xiaoming: : the void after the end of history The most abundant material wealth, take the fashion trend of the road. This is an age without heroes, but it is an idol in its heyday, the history of representation in the material under the pale of their thoughts and feelings a huge void, their spirit is This lack of soul is so mediocre, they lack a presence on the culture and self-identity, this spirit of dwarf and thought of poverty, the temptation to drive in the fame and the vulgarization of mass consumption under the influence must be a confused era, this historical period different from other Chinese social context and cultural background, resulting in a variety of literary ideas and concepts of the collision, but also the formation of West, kitsch / anti-kitsch, save / deconstruction, ethics / character, and other entangled with complex words (Wang Chien: widespread loss of performance for the imagination to repeat itself with the text of individual writings, in the idealism and the reality of the principle of the lever which gradually take hold. In the only focus on Literature consumption has become inevitable. literary and commercial catch for the market, is no longer a serious act. In such circumstances, traditional factors, they swept the literary world, they will naturally sound and fury, destruction and subversion, confusion and sadness, they confront in their own way in this chaotic society, to write their own personal experience of the absurd back and forth of an era, return and build the spirit of trying to guide the system of thought, they issued their own contradictions and conflicts exist as individuals in the voice of resistance, although the sound is the loss of taste and sense of public br> 1. marginalize the plight of writing
Read the most abundant resources, enjoy the most advanced scientific and technological achievements, the material conditions of a great prosperous, on the other hand, memory. rebellious attitude is completely different from their traditional predecessors life and values. in writing that they have a Science means suspicion of any kind of conflict that destroyed life in a totally unfamiliar world of loss is very normal and not to the dignity of free (Li silly interviews, Sohu read channels, , engaged in college band, weariness, love, bitterness, passing youth (SUN Rui ), is the Dissolution of the existing meaning of life. form, although in this people to buy good behavior, the second is Hu Jian, Li silly to see what other words are not pleasing to the eye of the cynical. performance and narrative techniques, ideas of poverty, lack of imagination, is , ridicule, so the will disappear without a trace. The released under rally, there are three flavors: (1) the frame. (3) br> 2. Who Who Moved the Cheese? profits, the original sub-culture will always be set aside and the opposition of originality, to the integration with the business and play ease the contradiction between cooperation and the role of ideology Introduction to Theory and Popular Culture gross interference in their mental culture and is unwarranted use of the performance of such use and be used in the sought after star. a star with the power of the media in the postmodern context in as a savior, position, on the one hand they are increasingly growing in an infinite halo, on the other hand bear all the blame and criticism.
into the .) to a certain extent, , followed by starting a book for media capture, to be a star. Han, Zhou Jianing, Guo, Zhang Yueran of Han, Jiang Feng and so access to contest the first prize and have their own long, with visibility and FANS. In addition to the network space The Although the name does not bud's brilliant, but certainly make the sense of belonging, enhance their communication, and prepare a collective feast again and again. things will be funny instead of humor, will replace the thinking of the aesthetic inclination of Riddles (Liu Chuan E a, Jianhua editor: generation of smart, they would prefer such as those 90 writers to focus on bargaining on terms of royalty, or on the TV movie adaptation of expectations, from the soil so the seedling will certainly grow out of is things are difficult reap . publishers and magazines, the media Destructive Enthusiasm for the Evaluation of quantitative analysis of literature can not (Liu Chuan E a, Jianhua editor: The gimmick, but in the , GJM individual writing gradually the entertainment industry that the only business that was out debut here, Li Shasha, Wu Jian, Zhang Jiawei, small rice, Jiang Feng was known as the strength of the school, saying ; ; 80 said the law is long overdue .2004 off the contemporary literature as the three main positions, even though There is no doubt in another decade or two, these 80 were born last century, young people will be the mainstay of Chinese literature, as a period of a phenomenon, the literary world is a bad habit of seniority, Fudan University, Professor Chen Si and to the additional business value, rational view and correct guidance , also born in the 80's Jiang Feng (the Jiang Feng non iceberg, but most people through the media, through the now popular novel to understand the market they face some difficulties.
(1) the youth can not afford to give up writing. Narrative Youth is not , economic life, but only the development of the late 90s to now such a standard of culture and human life as the center of the era, the dominant force, so their way of life naturally become the focus of interest. On the one hand, partly because they grew up spoiled by family and society have become too ambitious, unrealistic expectations; the other hand, their growth is China's period of reform and opening up, they see the community perspective and the conclusion has been different from previous generations, post-modern complex has had an important place in their hearts, which made their lives in previous generations have a big difference, cohabitation, reaction test of education, anti-high, materialistic, and so is their recognition. they do not like the last view of life, but do not have their own view of life, so they caught the real nothingness. they are a small child the family the emperor, and now the edge of the lonely people (Yang Dezhi: Although the use of The campaign, have shown that the novel be favored youth. confused the temptation, they need their idols, this idol is found in them, so also at the student in the GJM, Zhang Yueran of Han writers, these youth became confused, sad child's voice, Know pen is gorgeous and arrogant fictional love style is the same sadness. the lack of historical memory, with simple assembly line style of life (from six to twenty school has several campus) plus the imagination of the poor, ; 80, after marginalized in university life, (2) can not address the situation of imitation writing. goodbye to dreams of glory and '80s, the literary environment in 90 different landscape rendered the market economy system established to speed up the process of modernization, on this basis, the market adjustment mechanism of the formation and consumption mature culture, intellectuals in society tend to marginalize the role and position of .90 era highlights cultural awareness and cultural content hesitate confusion, criticism and reflection of the tone (Histories: 2001 version), cultural patterns and cultures of different open positions, literature has become an inevitable trend in popular literature showing .90 s the trend of naming some of the disaster. the literary world but also as entertainment, like stars shining in general, elite literature marginalized, and the popular literature as the protagonist. the era of market economy, both writers and readers to give up the communication market, to take a closed way of writing, or writers select and the reader market with the way (Yang: outside the literature as a strong team, city life, the public interest, to become an important literary performance 80's idealism and optimism, 90's writing space is much wider. culture, market, commercial aesthetic hegemony of Marxism in other historical periods of the fracture and failure has not yet constructed, reveal the beginning of Tau Kok. in such a mixed disorder literature, and their predecessors in order to calm relaxed and lack of imagination, depression did not repeat itself in the personal description, Early position Starting from the novel form, will not be able to write high quality in the short term work, coupled with the operational requirements of the market efficiency and speed of writing, ; writing difficult to enter the literary field of vision is an important reason. Although the They can maintain the position of pure literary elite, kitsch to the public in general is that they present situation. Voltaire said, Red X way out. They have a wealth of reading also have their own favorite writers, from their favorite artists to imitate the most familiar start, they really made some efforts, including Jiang Feng, Hu Jian is the more successful of outstanding writers. from the new Feng Chiang concept of composition Pioneer writers generally mimic the structure and form of the novel, his starting point higher, but the difficulty of imitation also higher. Qian, Wang Xiaobo, Wang Shuo and the pioneering writers of 80, after , language training is not enough, writing resources, writing only a narrow lead them to stay in the description, repetition, imitation. Imitation is the only way a writer, nothing wrong, but not so obsessed with stagnant demand in this spirit, the spirit to explore and do pay attention to the novel form and language level, it will lose the charm of the novels and life. concerned about the insufficient attention to the text, resulting in pedestal and these are not strong sense of social responsibility, self-control and lack of general literature when the game will be. They have a strong imitation of the novel traces of individual languages and become famous because of hybridity neither fish nor fowl, not personality. barren ideas, narcissistic individual speech, text uncontrolled piling on the imitation of the novel to do low-level integration, emphasizing the technology is they are most interested. the complex phenomenon of language, occasionally, the phenomenon of multi-lingual, but also the individual's unique multi-voice phenomenon . For more than a Write only the daily life of the emotional record, in such a way to write the novel will certainly be uninteresting, long way to go. critic Bai Ye well said, After Pioneer in the experimental fiction writer, and does not deeply explore, as a literary trend, there is no continuity in the 90's down. pioneer novel emphasis on trap, Ge Fei's (Lu Wenbin: stimulate the imagination,

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