Achievements, in addition to subject content, performance practices, breakthroughs and innovations, in the language of artistic creation is obviously to show the writer has conducted a unique and effective practice. The art of casting with external techniques, the spirit of modern art, local native culture and Chinese creative control as one of the , Chinese literature and even the human world : Sichuan; minorities; Chinese fiction; narrative writing history and folk traditions. and the Ethnic Chinese contemporary creation, and national, as has also gone from the 20th century, the fifties, Since also on modern Western literature by Chinese ideas, concepts and categories of understanding and awareness, minority writers began to use the Writers in the choice of try to use Chinese mm Chinese by the imitative use of the novel to the creative use of Chinese language, thus the formation of contemporary ethnic Chinese culture and characteristics of the process. As a result, Chinese of the an entry point for ethnic Chinese fiction.
a be considered as all those who thrive in the land of China have jointly created and the population has a gradual acquisition and use of the has a wider scope of use of space and awareness, but also because of the minority language within a historic culture of the evolution of contemporary ethnic writers and unprecedented in the sense of a deeper level, writers used a thought the relationship between spark and spirit of the times. According to the international second-language acquisition theory, Second Culture His family's psychological distance and, ultimately, to be very skilled in the practice of Chinese novels.
novels, ethnic minorities, is a new genre, although the nation has its own long-standing myths, legends, folk tales narrative tradition, but it requires a certain narrative techniques through the language of narrative and narrative art of a Living is the world's creative method relatively new. Sichuan minority writers use the , there has been a large number of outstanding writers, such as: Tibetan writer down side Gyatso, meaning Caesar Yan, Ah, the color wave, Sonam jen said so, writer Yexing Guang Qiang Gu Wan-lung, etc., Tujia writer Chen Chuan, chih, Hui Zhou, Yi A Ryoko writers who, Ma Deqing, Alei, Pakistan for a long time Wuga, Jawahar plate and Canada, Muslim writers wood ax, Ma Shouyu and so on. They take a a large number of Chinese novels and even the rich literature of contemporary Chinese literary scene in Sichuan. This is a historic choice, the novel has become a Chinese language they choose this effective means of shaping the mental image and approach.
in the past half century, China's ethnic minorities in modern China, the country's build process, after the socialist democratic reform, regional autonomy of ethnic identification and ethnic the reform and opening phases, dissolved the body in which minority writers of these historical experiences of the Chinese writing, naturally taken for granted, such as: Tibetan writer down side Gyatso's , Made Qing Yi Writer of Caesar Italian writer Jen's . God tree. sacred groves Chinese fiction background to think through and build their ideal world, so their novels with the meaning and existence of multidimensional space.
Contemporary Ethnic Writers way and the national literature in literary style, their works have attracted wide attention and recognition. across the country, there are writers Huo Da Hui ; Mao Dun Literature Award Fiction has made great achievements gained widespread recognition and literary theorists of the highly valued. contemporary writers of ethnic minorities in Sichuan, such as: Tibetan writer means ren Caesar's, Ma Shouyu Novels types, genres, styles and techniques, and so the use combined with the national history and culture, and customs of the reproduction of the carrier through the Chinese national culture to achieve the image of this re-creation. At the same time, they created their own novel and created a Chinese The historical narrative of the new national narrative style, this new narrative to strengthen and highlight the development trend of the national literature; them to create the main object of creation and the creative content of the real-life experience and perception of national literary development since the establishment of new literature like state, so that adds a wave of Chinese literature with the geographical and ethnic characteristics of the force, their novels have greatly enriched the Chinese contemporary literature.
Second, the language awareness Turn: Sichuan Ethnic Chinese fiction of contemporary language change
contemporary Chinese fiction writers contribute to the Ethnic Nationalities of their own wisdom, and achieved a higher success. Throughout the Ethnic Chinese Fiction Writers course of development, language in the novel has undergone tremendous changes, mainly in language concept modernist view of language. such as: lower side Gyatso Tibetan writer's masterpiece to shape the political consciousness of characters and expand the story, so everywhere the language in which the novel reflects the revolutionary realism and revolutionary romanticism characteristics of because our party's life, all life and struggle of the working class, is that the most serious, most calm and practical work with the great vision of heroism and magnificent combination of hh national contradictions and class conflicts expression of revolutionary realism and complaints, as Lunacharsky said, The binary oppositions (such as: slave owners and slaves, old and new Tibet Tibet, slave owners and the Communist Party hh) of the expression pattern has been around a fictional narrative structure and language of the novel. It is probably by society under the influence of ideology and national discourse 50 years of the 20th century, the common language of minority writers narrative mode, such as the Manchu writer Lao She's novel Expressionism, existentialism, intuitionism, psychoanalysis, etc., and later social and cultural critical theory, new historicism, structuralism, deconstruction, postmodernism, magical realism, the impact of such thoughts, and domestic ; scar literature New Realism , rich and modern features. novel use of language in the bound form based on the novel began to shape the characters and the story needs to start looking for free language statements and forging the best way to achieve the best results, they used the expression to the full mastery of Chinese language to reflect their own thinking characteristics of female family of languages, the use of the Chinese novel it more rounded and mature into the position and without a trace, the success obtained on the superb Chinese master. such as: long-Yi Wu Ga Palestinian writer in his novel At that time no guns, not far from a gun the day of the hh established between referring to his own semantic field, reached with the unique characteristics of the Yi language use in effect. Tibetan writer Alai novel , noun directed things, adjectives directed at state. embodied in the habit of thinking of this nation and emotional expression.
language style aspects. early writers down side Gyatso Tibetan, Hui, represented by writers such as wood ax Chinese Chinese novels seem single thin, simple, Among the novel words in the narrative, often a mixture of Chinese, Translation from time to time over the Tibetan or other ethnic language in some of the words, proverbs, metaphor, imagination statements, etc., become the explicit form of the simple assembly. In the beginning of contemporary Chinese literature, ethnic Chinese fiction writers use very clear that showed the nation's living environment, historical traditions, ethics, customs, spiritual form, etc. so, this fresh style of Chinese literature to the then brought new features with mixed feelings and cultural characteristics of the aesthetic, which greatly enriched at almost national poetry and fiction directly among peoples in the a new generation of fiction writers from small minority to accept a Chinese vocabulary, grammar, syntax, skill to master a direct impact on them since the 20th century Chinese novels 80,90 changes in language style. young minority writers began on the basis of the older generation of writers, more in-depth digging deep in Chinese way of expression, as Caesar intended a new generation of Tibetan writer Jen said:
. I think there is an internal and external problems, if the folk proverbs, sayings, and metaphors blindly towards their work place, and the characters think and do and do not like the people of this nation, which some like the foreigners, like opera singing, people feel a little funny. the language of the national characteristics should be inherent in the writer's narrative language and characters, and so the language works, if not proverbs and parables and the like, the reader can feel the nation's unique psychological and cultural atmosphere, then this language to a genuine national characteristics. Translation national language nationality, the national languages in the Chinese and the tension field of the dialogue is naturally integrated into the native language of the narrative, so that the national cultural identity and the human spirit in the Chinese language combinations of the square in the very unique revealed. in accordance with the Swiss linguist Ferdinand. de. Saussure's view, ethnic minority writers in Sichuan were novels in Chinese history in the past five years, they experienced from the use of Chinese words turned to the cross combination associative combination, the former is clearly there (in praesentia) words in the presence of aggregation, which is hidden by the presence of expanded terms, suggesting that the hidden (in absentia) the aggregate ④. For example: Tibetan writer Alai in the novel settled, habits, and aesthetic characteristics; or writer before the carrying out novels already have a human consciousness, between national culture and the deep cast of Chinese narrative ability; or that used by the Chinese writer itself is long from the writer's inner world seedlings out of the language is itself the spirit of the writer the freedom of the flower bloom. is the ; ⑤ A writer to play down the novel takes place in the background and change the character of the hidden characters in the narrative so that readers can actually think of the style of Tibetan culture and national spirit. Chinese have been developing in his pen, his mother ethnic culture is constantly exposed the essence of the process of being rich, by the expression of pure Chinese realized with the arrival of Chinese reflected a deeper national inner side, was a great success.
three, Sichuan Ethnic Chinese contemporary novel Recalling the narrative style of the formation of the Ethnic
Chinese fiction writer, creative process, they began to use Chinese for most novels are based on the novel by Chinese to practice, the initial creation to their borrowed Chinese historical experience of the national and cultural reproduction Nationalization of the practice surface, so inevitably seems to be rather shallow and simple, this is their own national characteristics the novel, the novels of this period is constantly flashing various translation ethnic terms, the emergence of these words does not change the common name was the era of ; the theme in an era when the main theme were shown the idea at the time the existing order, but often overlooked art of forging novel language. History of the 20th century, 80 years, with the local culture, national culture be taken seriously again living in the territory of Sichuan Minority Writers began to consciously explore and display their characteristics of local culture and national culture, and transformed into their mother tongue of Chinese narrative mode of thinking, so that readers of Chinese novels purely to read between the lines of the national characteristics and cultural elements, thus, minority writers have begun to creative use of Chinese language, and when the novel is clearly not equivalent to Chinese Chinese in the early novels, but has been transformed by the Minority Writers Chinese, both writers use different from the Han Chinese, but also different from the previous use of the Chinese ethnic minority writers, and more with ethnic characteristics and expression patterns of thinking in Chinese, but also has its own national spirit of the Chinese, so we call as Writing, but turned to their own life experience with their mother in the family life of the nation desires culture, national culture, character, national spiritual beliefs, folk art traditions and national life, the life history of the aesthetic content, which is the development of the national literature even the history of Chinese literature in the development process is very worthy of attention.
After completion of the inner spirit of writers after melting and integration of the new language, and they will own unique quality of different cultures and spiritual characteristics of the culture to fully concentrate on the creative use of them in Chinese to make their own creative and aesthetic Chinese fiction mental realization of the Chinese language the same time as the old system of semantic meaning and can refer to the destruction, subversion and transformation, then the Chinese symbol system and the system that the characterization of the cultural heritage and cultural models and the nation's national consciousness , national psychology, national aesthetic, national spirit and the spirit of contemporary art after the formation of highly wrought novels of contemporary ethnic Chinese art form unique to the language. This conduct by the minority to use Chinese Fiction Writers in the process of Chinese voice, morpheme, grammar have had a great impact, mainly for the following main types and characteristics:
First, the language of thinking in Chinese statements. such as: long-Yi Wu Ga Palestinian writer in his novel Singapore flowers Zhe Yi folk singing in the form of two statements by Chinese out, in his words, is Second, the native language vocabulary, sentence of the Chinese transliteration. the nation's phrases, sayings, proverbs, slang, etc. to write into the narrative, the novel became an integral and important part of a unique form of language more than the sound Department of the Carnival. such as: Yi writers in Pakistan for a long time Wuga novel Yi saying.
Third, the logic of traditional Chinese Grammar (cultural logic and cultural value) of the subversion and transcendence, and use of logic, and in the creation of Chinese novels continue to break through a single national language and cultural boundaries, so that my family on the mother, to history, the fate of the real sentiment of the Chinese with this powerful tool to achieve Minority Writers under the Influence of a dual personality show, this is a new generation of writers deliberately pursue the Ethnic and direction. A Tibetan writer for the sound, big voice is heard in order to allow more living beings. to make their own voice into such a great voice, in addition to a valid reference, is always more important, their own life experience gained through the sense of history and a sense of destiny, so that hot blood and real emotions, sneak in the word, the line between. their culture and life experience combined with the blood, such as the Tibetan writer Alai treatment, which seems both strange and familiar characters and very different ideas, actions and words constituted a subversion of the traditional Chinese expression logic. In the entire novel in Chinese narrative, description, dialogue and about the potential of the various dialogue the clever use of language actually refers to the meaning out of the shackles of the introduction of the reader's attention to the outside of the semantics of the female mind and a broad range of ethnic cultures and beliefs connotation Yuanshen essence, so changes in the language of the novel to make it flexible and free , a variety of stylistic effect.
four, Sichuan Contemporary Ethnic Chinese novel Practice of Chinese fiction narrative language arts change and innovation is of great historical significance. from the vernacular movement since the change of language change in China since the 20th century literary language, including the development of novel language features, affected the whole of modern Chinese literary thought and expression behavior. the novels of Chinese contemporary fiction writer is a trial and error and innovation during exposure to the practice and experience of these practices combined with their own and make the process of expression and speech. And 50 years after the 20th century, the Minority Writers in the process of construction and development of the Republic gradually learn to master and use modern Chinese novels in the habit of creative thinking and expression and so pay more efforts to overcome the language they want to exchange ideas and meet the changing pattern of Chinese expressions and so many difficulties, but their practice has made gratifying achievements: Modern Chinese experienced a Minority writers from nationalization the role of inspiration and example.
China's Construction is to be followed by the. the construction of which minority cultures is an important part of Chinese culture on the construction of ethnic minorities: ethnic minority areas in addition to Chinese language teaching, it also should strongly support and training to help ethnic minority writers and growth, but also should be written in Chinese minority writers to be selected as a local promotion and publicity materials. modern and contemporary minority writers have been incorporated into a large number of local or national teaching materials, such as: Miao writer Shen, Manchu writer Lao She, Hui Zhang Chengzhi, and so the works of writers, as the carrier through which the Chinese reading of literary works to promote the Chinese culture, mixed with Chinese characters of different cultures expressed a lot of style to show to young readers, expanded the connotation and extension of Chinese representation, increasing the amount of Chinese culture. particularly in this part of Sichuan, areas inhabited by minority nationalities, through the works of native writers to explain and read, in promoting the national cultural characteristics, but also promoted Contemporary Chinese in ethnic minority areas and the extensive use of it growing.
In addition, Sichuan Minority Writers of contemporary Chinese novels and made special achievements, not only enriches the construction of modern Chinese, but also for the world to provide Chinese Literature the reference of the Chinese language arts broader cultural values. Chinese, is the name within the People's Republic, but as a language of symbols in the world is widely known as the Chinese language. the use of Chinese (Chinese) in literature Creation is the world's most important features of Chinese literature. World Chinese Literature Literature from the Chinese mainland and Hong Kong, Macao and Southeast Asian countries of Chinese literature, Chinese literature in Japan and Oceania, the Americas and Europe constitute the Chinese literature. These areas were of Chinese Literature writers in the use of official languages in their respective countries, while use of and use of the Chinese (Chinese) and literary expression, the expression, in accordance with their respective country's customs, cultural traditions and languages of different styles, their use and construction of Chinese with their different characteristics. This writer and the country with the Ethnic Minorities in Chinese for Chinese Fiction writers use a similar place: the (Multilingual) fate, and in particular how the process of literary creation that thought. Of course, the Sichuan Chinese Contemporary Ethnic Writers Writing in the experience gained and lessons learned overseas Chinese literature will provide a reference.
Broadly speaking, the use of second languages and literary creation and interpretation The phenomenon is a worldwide phenomenon. second language and by scholars known as the , interlanguage) work won him the back and forth between languages and cultural access to endless inspiration and passion, to create more and better literature. in the country for minority writers who have a natural advantage in this multi-lingual resources, so they Fun in the creative hands of creative in the background, there is biodiversity and cultural diversity all over the world the reality of the urgent to improve the Earth's inhabitants to learn and master the charm of a good opportunity. So, we face numerous and diverse symbiotic world, only able to adapt to the use of multi-language environment in order to fully and effectively to show themselves, so that the cries of their existence can be proved in the course of history continue to echo ! Therefore, Sichuan contemporary Chinese fiction Minority Writers emphasis on language arts and research, and summarizes not only the writer can find in the use of to the world of writers within the literary practice of multi-language study of the phenomenon, which has a worldwide significance.
Note:
① (SU) Zhdanov: Congress of the speech, Xu extra fine one series: Third Course in General Linguistics Seoul, ⑥ Li Rui: Education Press, 2004
② sain Enkhbayar: Ethnic Publishing House, 2006
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